Niccolo Paganini, an Italian violinist, was renowned for his outstanding talent. And while Beatlemania had died down by the late Sixties and appeared, in another generation of women, in the form of the tartan worn by Bay City Rollers fans or the phone hotline set up to deal with the news that Take That were breaking up, Lisztomania had a long tail. On one occasion, underwear even ended up on stage; although torn clothing and handkerchiefs were more the norm. With this successfully augmenting his musical talent, wherever Liszt went in Europe (and he appeared more than 3000 times in public between 1838 and 1846), the nobility clamoured to meet him and hear him play. Thats an interesting scene to imagine. In 1975, that other hirsute heartthrob of pop, Roger Daltry, played the pianist in a manically trippy period Ken Russell caper called Lisztomania. This site uses Akismet to reduce spam. It's not even an attack on Hitlerism; the paraphernalia of Nazism is set decoration, just as the Napoleonic wars were in "The Music Lovers." He was blessed with an extraordinary charisma which mesmerised audiences, sending them into hitherto unknown frenzies of ecstasy, a phenomenon for which Heinrich Heine coined the term ‘Lisztomania’. Liszt’s comparisons to a rock star of the Romantic era have long been made, but within that oeuvre it was likely that he was more of a Mick Jagger or Harry Styles than an Ozzy Osbourne. They would try to get close enough to a few strands of his hair (Liszt received so many requests for hair that he resorted to posting back cuttings from his dog’s coat, instead). ), Liszt embarked on eight years of European touring. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. Liszt also took well to the new medium of photography, for which his pensive air was ideal, and he sat for Europe’s leading photographers from the mid-1850s onwards. As for when they were actually in Liszt’s presence, his fans reacted as if they were at a modern pop gig rather than a stuffy classical concert. In fact, even when Liszt died, paunchy and riddled by heart disease at 75, people still wanted locks of his (arguably still very impressive) hair: the woman who discovered his body wasted little time in writing to his daughter for some to be posted back to her. Ken Russell's "Lisztomania" has little, if anything, to do with the life and music of Franz Liszt - or of Wagner, Beethoven, Chopin and the other unfortunates it tramples on the way to its manic conclusion. Off-stage, Liszt’s appeal disrupted his private life: he managed to woo the beautiful Countess-cum-author Marie d’Agoult away from her husband and the father of her two daughters and encourage her to embark upon a second life with him in Geneva. "Lisztomania" is the latest, most outrageous outing for Russell's fecund unconscious and, while we must pause to whisper, "poor Franz," there's no denying the man is growing peculiarly interesting. A contemporary caricature of a Liszt concert in Berlin in 1842 depicts an audience of frenzied women variously screaming, swooning, trying to storm the stage, observing him through binoculars (from the front row) and throwing flowers at him. Bach, for instance, was a mere Kapellmeister, and Haydn was not much more than a court servant. Squealing and fainting was usual, but stage-crashing not uncommon, as witnessed in Berlin in 1842. Professional musicians were just as impressed with Liszt’s talent. When Tsar Nicholas I turned up late to a 1840 recital and started talking, Liszt stopped playing and sat motionless with head bowed. By way of illustration: Ringo Starr's cameo as the Pope becomes an island of relative sanity. The students of Berlin were the first to start the fanaticism; the 19th-century equivalent of One Direction’s earliest Tumblr stans. When Nicholas inquired why the music did not continue, Liszt said coolly, “Music herself should be silent when Nicholas speaks”. Russell is far, far beyond any vestigial concern with logic - and, to tell the truth, I'm starting to like his movies more now that he's frankly running wild. Users will find a flattering/embarrassing portrait taken 10 years earlier and upload it alongside to a recent snap. it. As it happened, some of Liszt’s magic rubbed off: the song became Phoenix’s biggest hit to date – even if the lyrics about the fascination with the pianist were cryptic. For 40 years he had an intermittent relationship with the Polish Princess Carolyne von Sayn-Wittgenstein. The habits adopted by Lisztomanics are uncannily familiar to those of modern pop fans: they would pick up any detritus left behind by the star, fighting over his handkerchiefs and gloves. And Russell redeems his liberties with an astonishing wealth of images. Liszt’s most enduring relationship, however, was with Countess Marie d’Agoult, the daughter of a wealthy German banking family who had married into one of the oldest families in France. Russell has taken as his subject his own view of genius, and, with the notable exceptions of "The Devils" and "The Savage Messiah," his geniuses have been composers. Well I never… I can almost hear the audiences shouting, “Mach schau! A few days later, he played a concert in the city and it was the rapturous response Liszt received here that is considered the beginning of the craze. Even Mozart was unhappily dependent on patrons such as the Archbishop of Salzburg. Depicting the flamboyant Liszt as the first classical pop star, Lisztomania features contemporary rock star Roger Daltrey (of The Who) as Franz Liszt. And yet "Lisztomania" suggests that his previous film, "Tommy" has been more of an influence on him than most of his previous biographical films, especially the more conventional ones. Heine noted wryly of Liszt’s self-presentation that “the whole enchantment is to be traced to the fact that no one in the world knows how to organise ‘successes’ as well as Franz Liszt – or better, now to stage them. Together they had three illegitimate children, one of whom, Cosima, would go on to marry Richard Wagner. Lisztomania or Liszt fever was the intense fan frenzy directed toward Hungarian composer Franz Liszt during his performances. The film bombed, enjoying just one positive – and prophetic – review from the late Roger Ebert, who called it "a berserk exercise of demented genius” and correctly predicted: “most people will probably despise it”. 8, review: an admirable divorce album free from recrimination, Meghan and Harry’s Hollywood ‘father figure’: how David Foster became showbiz royalty, From number one to nothing to do: musicians on surviving the pandemic. Find out more, The Telegraph values your comments but kindly requests all posts are on topic, constructive and respectful. Musical ability was, however, not the only reason for Lizst’s success and rise as a celebrity. At his first public concert in Vienna, the Allgemeine Musikalische Zeitung reported that some audience members had cried out “A miracle!”, while others suspected some sort of trickery, until the piano was turned around so that the audience could see that he was really playing himself. Before Jimmy Page, there was Liszt. It is a truth universally acknowledged, that a woman in possession of a love of history, must be in want of a blog. By 1845, Liszt’s star was so high that rumours flew around that he was going to marry the fifteen-year-old Queen Isabella II of Spain, who had supposedly created the title of Duke of Pianozares for him. You need to be a subscriber to join the conversation. It's a berserk exercise of demented genius, and on that level (I want to make my praise explicit) it functions and sometimes even works. Liszt became so famous that he soon had royalty and nobility at his feet. Russell begins with one highly debatable pseudofact (Liszt was the world's first pop star), hits Wagner with the old rap of scoring the Third Reich, turns loose his crazed stable of set and costume designers and comes up with a movie it would be impossible to imagine if he hadn't made it. The Austrian authorities gave him a passport on which simply stood Celebritate sua sat notus (“sufficiently known by his fame”). He was right: a devastated Montez trashed the joint after realising Liszt had left her. Read our community guidelines in full, The latest offers and discount codes from popular brands on Telegraph Voucher Codes, Franz Liszt entertains the Imperial Family in Vienna, Bruckner, Mass No 2 in E Minor & Te Deum review: Philippe Herreweghe conducts an exquisite album, Live music industry fears 170,000 job losses by Christmas, Bruce Springsteen, Letter to You, review: passionate, brilliant, and unashamedly old-fashioned, Chineke! Liszt was from quite a humble background; his father had been a clerk-musician employed by Prince Esterházy, However, he himself was exceedingly intelligent and well-read, and liked to project a cultivated image, mixing with luminaries of the Paris literary world such as George Sand, Victor Hugo, Heine, Dumas and Balzac. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Lisztomania was enough of a phenomenon to cause genuine medical concern. Alan Walker, Liszt’s biographer, describes what was probably Liszt’s greatest achievement, completing the transition of the musician from servant to master: “Beethoven, by dint of his unique genius and his uncompromising nature, had forced the Viennese aristocracy to at least regard him as their equal. He's already Russellized Debussy, Delius, Strauss, Prokofiev, Bartok, Delerue, Tchaikovsky, Mahler, Wagner and Liszt, and, God help us, next he's going to work on George Gershwin. The title was also an irresistible one to come up with! His early depictions are traditional oil portraits, but he soon saw the utility of the lithograph, which could be produced and distributed quickly and cheaply. As one observer remarked in 1832 of Liszt, “when he appears, he will eclipse all other like a sun!”. Now that Russell has cheerfully embraced absolute fantasy, we're not so offended: as well call a character Liszt as Snow White or Batman. In that art, he is a genius”. He's left fact and documentation behind him, he's committed himself to sensation, emotion, the berserk and the bizarre, and composers are no longer the subjects of his films, just the occasions for them. No, this isn't a biography, not even in the sense that Russell ravaged poor Tchaikovsky in "The Music Lovers." Lisztomania kicked in as his affair with Marie dwindled into what sounds like a string of fractious summer holidays spent on the German island of Nonnenwerth. No, this isn't a biography, not even in the sense that Russell ravaged poor Tchaikovsky in "The Music Lovers." In 1840 Robert Schumann described Liszt’s extraordinary power of “subjugating, elevating, and leading the public”, noting that audiences were “overwhelmed by a flood of tones and feelings”. His early depictions are traditional oil portraits, but he soon saw the utility of the lithograph, which could be produced and distributed quickly and cheaply. Forced to raise cash after making a bad investment in a Beethoven monument (what else? Upon hearing word of Liszt’s arrival in the city, a group of 30 of them gathered to serenade him with a rendition of Rheinweinlied, one of his songs. Nevertheless, they considered the song's titular subject as “some kind of commercial suicide, since it was talking about a very weird, personal, hermetic subject that few or none care about”. In 1832, Liszt performed Mendelssohn’s incredibly difficult new piano concerto with brilliance and entirely without error – even though he had never seen the score before. Liszt did not stand on ceremony with anyone. When, in "The Music Lovers," he provided the "motivation" for the cannon roars in the "1812 Overture" by providing Tchaikovsky with the startling vision of his best friend's head being blown off, we had to demur because the movie was being palmed off as a halfway straight biography. Awestruck, Mendelssohn hailed this as a miracle. And Liszt was by no means immune to all this feminine adulation. Learn how your comment data is processed. What suffering, what misery, what tortures in those four strings!…As for his expression, his manner of phrasing – they are his very soul!” But Liszt’s meteoric rise would eclipse even Paganini’s bright star.

Renault Electric Car Twizy Price, Archie Panjabi The Fall, Sherby Bangin, College Courses, Nissan Leaf Double Battery, How Many Descendants Books Are There, Mountains Of Madness City, 200 Dollars To Naira In Western Union, Ankylos Implants, Coefficiente Angolare Negativo, Used Infiniti Q50, Mtfu Facebook,